Tuesday 4th June 2013
Norwich Theatre Royal
*****
You can tell Rocky Horror is in town on approaching the Norwich Theatre Royal.
Dedicated fans clad in suspenders, stockings, feather boas, and in a few cases just a pair of gold hot-pants (and plenty of body glitter) mingle outside and at once I feel more comfortable in my own get-up. Those arriving at the theatre in their jeans and t-shirts were definitely in the minority!
The cult classic musical has returned to Norwich, celebrating the show's 40th year anniversary with this all new 'party' production.
With this being the second time I have seen the show (the first being in 2010 - when the previous touring production visited Norwich), I am certainly in agreement with the frequently used phrase that Rocky Horror is 'the most fun you can have with your underwear on'.
The story follows self-proclaimed 'Sweet Transvestite' Frank N Furter (Oliver Thornton), deflowering newly engaged, nerdy couple Brad and Janet (Sam Attwater and Dani Harmer), who stumble upon his castle on a fittingly dark and stormy night which rapidly evolves into one of insanity and debauchery.
With experienced Rocky Horror theatre-goers knowing the script as well as the cast, Philip Frank's Narrator is exceptionally witty and thrives off the audience's participation, offering quick and hilarious come-backs.
Abigail Jaye and Ceris Hine as Magenta and Columbia respectively, are also excellent in their roles with Dani Harmer as Janet having most definitely shed the skin of her children's television past, and Sam Attwater having a wonderful voice, accented characteristically of Brad.
Kristian Lavercombe sang the best version of the Time Warp I have ever heard, getting everyone up on their feet to dance, but it was Oliver Thornton as Frank N Furter who stole the show.
With legs to die for, accompanied by a lascivious voice, his portrayal is devilishly flirtatious and full of energy and charisma (comparatively more smooth and seductive than David Bedella's more dominant portrayal in previous productions).
With the band set on a mezzanine, as opposed to under the stage in the orchestra pit, they become of higher importance, as the most crucial element to this rock and roll musical. The lighting design by Nick Richings is also to be commended, ranging from vibrant neons over the ripped pink curtain, to lasers circulating the auditorium as the 'floor show' is announced.
This over-the-top B-movie and sci-fi send-up oozes with filth, comedy and a party atmosphere - a perfect combination, along with an exceptional cast, for it's 40th year.
